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SOME PERSONAL THOUGHTS ON TAKING PHOTOGRAPHS
The way I take photographs can be summed up under three general headings: serendipity, computer generated and pre-visualised.
Serendipity: this is when I go out with my camera with no pre-visualised ideas of what I’m after taking. Examples are holidays, day trips or just having a camera with me at all times. And, I will take what I fancy; what takes my interest - happenstance photography, really.
Computer generated: this is not a literal heading because all my images are put through a computer to a greater or lesser degree. Let me explain myself. I mean the times when I will have seen a particular computer process that takes my fancy; in a magazine, or online (YouTube, probably) or have been shown the process by a friend, perhaps. I will then use the filters and special effects within my photo-manipulation software to produce what the computer algorithms generate. Basically I get what the computer wants to give me.
Pre-visualised is where I have a clear-cut idea for an image and will endeavour to create it. I have a ”target” to aim for; planning and thinking before I ever pick up my camera to take the image or images. I find it keeps me in control of my creativity and, with photo-manipulation software, I can have an infinite number of ideas - the only limit is my imagination. An excellent chance to use pre-visualised photography is with our current “Winner Stays On” competition, where we have been given a theme or subject, from which we can create an image.
The question I am asking myself at the moment is which of these three, if any, makes me a “better” photographer - or gives me more pleasure - or makes my photography more fun. True, I enjoy all three but with the present restrictions due to the coronavirus “lockdown”, I am finding the pre-visualising an image and then having the time to concentrate on creating it. Of course some of my photography does blur the lines between two headings: street photography, for example is a type of “targeted serendipity”. Oh well, back to the drawing board.
Paul Major
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